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Shakespeare’s language and the contemporary cinema audience
(Roma : Carocci, 2013)
Among the many difficulties which are encountered in realising the plays of Shakespeare
for the screen, perhaps the greatest is the translation from a primarily verbal
medium to a primarily visual one. The decisions made ...
Performing Dancing at Lughnasa on screen
(Roma : Carocci, 2013)
Considered one of the most representative playwrights in the contemporary Irish scene, Brian Friel offers in his plays a changeable and inconstant perception of language, where words are mainly understood as transitory and ...