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dc.contributor.authorMagnani, Ilaria
dc.date.accessioned2019-04-11T09:51:14Z
dc.date.available2019-04-11T09:51:14Z
dc.date.issued2018
dc.identifier.citationMagnani, I. (2018). Lo que queda… Lo que se lega. Tradición y herencia en las obras postreras de Antonio Dal Masetto. Cultura Latinoamericana. 27(1), pp. 184-208. DOI: 10.14718/CulturaLatinoam.2018.27.1.8it_IT
dc.identifier.issn2346-0326it_IT
dc.identifier.urihttp://hdl.handle.net/10556/3234
dc.identifier.uri10.14718/CulturaLatinoam.2018.27.1.8it_IT
dc.description.abstractThe present research article analyzes, through a qualitative methodology, two of the latest works by the Italian-Argentine writer Antonio Dal Masetto, the novel Cita en el Lago Maggiore (2011) and the story «Alturas» (2015), focusing attention on the evolution of the treatment of the migratory issue, particularly relevant in this author. More specifically, the conclusions will be based on the transformation of the immigrant’s nostalgia into a legacy of identity for the descendants. The analysis is based on the concept of Chronotope, by Bakhtin, and the theory of evaporation of the father, by the psychoanalyst Massimo Recalcati.it_IT
dc.format.extentP. 184-208it_IT
dc.language.isoesit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectContemporary Argentine literatureit_IT
dc.subjectMigrationit_IT
dc.subjectHeritageit_IT
dc.titleLo que queda… Lo que se lega. Tradición y herencia en las obras postreras de Antonio Dal Masettoit_IT
dc.typeJournal Articleit_IT
dc.identifier.e-issn2539-0791it_IT
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