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dc.contributor.authorBühler-Dietrich, Annette
dc.date.accessioned2019-07-11T07:46:06Z
dc.date.available2019-07-11T07:46:06Z
dc.date.issued2015
dc.identifier.citationBühler-Dietrich, Annette, “Schillers Räuber oder das Spiel mit der Performativität.” «Testi e linguaggi» 9(2015): 167-186. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano]it_IT
dc.identifier.isbn978-88-430-8039-7it_IT
dc.identifier.issn1974-2886it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3370
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1617
dc.description.abstractThe following paper examines Schiller’s play Die Räuber/The Robbers as well as the productions of the play by Nicolas Stemann (2008) and Antú Romero Nunes (2013) with regard to the performative construction of identity and stage reality. Both contemporary directors draw on the monologicity and the performative construction of identity the play displays; their productions can be perceived as rereadings of the play in the light of current theories of performativity.it_IT
dc.format.extentP. 167-186it_IT
dc.language.isodeit_IT
dc.publisherRoma : Carocciit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleSchillers Räuber oder das Spiel mit der Performativitätit_IT
dc.typeJournal Articleit_IT
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