| dcterms.contributor.author | Serra, Mauro | |
| dc.date.accessioned | 2019-07-11T08:14:13Z | |
| dc.date.available | 2019-07-11T08:14:13Z | |
| dcterms.date.issued | 2015 | |
| dcterms.identifier.citation | Serra, Mauro, “La performance retorica: l’Encomio di Elena di Gorgia tra improvvisazione e metalinguaggio.” «Testi e linguaggi» 9(2015): 85-98. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano] | it_IT |
| dcterms.identifier.isbn | 978-88-430-8039-7 | it_IT |
| dcterms.identifier.issn | 1974-2886 | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3374 | |
| dcterms.identifier.uri | http://dx.doi.org/10.14273/unisa-1621 | |
| dc.description.abstract | In recent times performance has received considerable attention also in classical scholarship. In this
paper I try to show how the use of the category of performance allows us to understand some of the
most significant aspects of Gorgias’ Encomium of Helen. In particular, it allows us to clarify the relationship
between two seemingly contradictory features of this text: its self-promotional nature and
its ability to identify some of the mechanisms of greatest importance (and ambiguity) at the heart of
democratic life. | it_IT |
| dcterms.format.extent | P. | it_IT |
| dc.language.iso | it | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.title | La performance retorica: l’Encomio di Elena di Gorgia tra improvvisazione e metalinguaggio | it_IT |
| dcterms.type | Journal Article | it_IT |
