Browsing Sinestesieonline. A. 8, no. 26 (Maggio 2019) by Submit Date
Now showing items 1-20 of 25
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Goldoni & De Sanctis: Il Trionfo Della “Forza Allegra
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The 12th edition of “Goldoni Day”, entitled Goldoni & De Sanctis, considered the production of the great Venetian playwright through the study and the idea of theatre of one of the most important Italian intellectuals: ... -
Compromettersi fino in fondo per il teatro: l’eredità di Paolo Grassi a cento anni dalla nascita
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)A professional driven by an ardent intellectual curiosity, with his gaze firmly fixed on the future, Paolo Grassi left his mark on the culture of the twentieth century thanks to his strong spirit of innovation, oriented ... -
The 2011 Constitution: the Moroccan Amazigh Woman’s Empowerment
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The new millennium has signaled a new phase for Moroccan women’s legal triumph. The 2004 Family Code and the 2011Constitution are until now the main achievements of Moroccan women’s feminist movement. In addition to granting ... -
Images as discursive praxes: Mick Jagger in Tangiers
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)Images do not simply grow of their own volition in meadows unplanted and unwatered. Inundating screens and even walls, images pervade and invade every inch of our privacy. So pervasive and invasive has this presence become ... -
Rosalba Galvagno (a cura di), Diverso è lo scrivere. Scrittura e poetica dell’impegno in Vincenzo Consolo, Edizioni Sinestesie, Avellino 2016 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Marco Ottaiano, El tiempo parado. Palinsesti narrativi e strategie linguistiche in Francisco Umbral (1965-1975), Edizioni ETS, Pisa 2019 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Antonio Gargano (a cura di), Lazarillo de Tormes, Marsilio Editori, Venezia 2018 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Pietro Milone, Pirandello accademico e il “volontario esilio”. Fascismo, vinti, giganti, Metauro, Pesaro 2017 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Carlo Baghetti, Daniele Comberiati (a cura di), Contro la finzione, Ombre Corte, Verona 2019 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Vincenzo Consolo, L’ora sospesa e altri scritti per artisti, a cura di Miguel Ángel Cuevas, Le Farfalle (Collana turchese – Saggistica), Valverde 2018 : [recensione]
(Avellino : Associazione culturale Internazionale Sinestesie, 2019) -
Tramonto e riabilitazione di un genere. Autobiografie di attori del varietà
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)Around 1930 we find autobiographic writings produced by actors who lived the season of the theatre of variety. Memories which are precious documents to rebuild an important kind of show in an empirical vision, from the ... -
Fondamenti del pensiero delsartiano: fra memoria e poetica teatrale
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The word memory in the Delsartean writings can refer to two different phenomena. On the one hand, there is the individual memory, a sort of archive that man builds during his existence and that allows him to connect several ... -
Il diario quotidiano di un attore: i taccuini di Ruggero Ruggeri
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The long career of Ruggero Ruggeri started in the late Naturalism and finished at the beginning of the 1950s without knowing crisis or setbacks. During this period the old Italian theatre was replaced by a new role acquired ... -
La contesa e il trionfo: Otto Brahm e le testimonianze sulla Freie Bühne
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The study examines an essay written by Otto Brahm and published in October 1909 in the «Berliner Tageblatt». A careful reading of the entire document entitled Freie Bühne, complete with the last three pages handwritten by ... -
Travestimenti autobiografici scarpettiani: metodologie di verifica
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)This essay critically examines the autobiography of Eduardo Scarpetta, problematizing the idea of the author’s memoir as an authentic confession. Analysing several declarations written by Scarpetta, the study shows how ... -
«La pratica senza la teorica»: qualche riflessione sulla memoria e sul progetto della scena in Perrucci (e nel teatro napoletano)
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The essay constitutes a first approach to a research project. It focuses on a problem related to an analysis of Andrea Perrucci’s treatise Dell’arte rappresentativa premeditata, ed all’improvviso (1699). In this book ... -
Il teatro e la sua memoria: la registrazione dell’esperienza
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Quattro dipinti ad Avellino nei rapporti con la pittura lombarda
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The current paper describes the relationships that took place in Irpinia with Lombard painting during the second half of the sixteenth century through the descriptive, aesthetic, stylistic and iconographic attribution of ... -
L’Apocalisse, lo sguardo e la morte: da la Jetée di Chris Marker a Twelve Monkeys di Terry Gilliam
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)In Twelve Monkeys, a 1995 post-apocalyptic feature, Terry Gilliam credits as his main source of inspiration Chris Marker’s La Jetée (1961), an experimental short movie whose story is told through a series of still images, ... -
Ennio Flaiano e i settant’anni di Tempo di uccidere: il trattamento ‘dimenticato’
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)The essay reconstructs the history of the film script that the writer Ennio Flaiano Drew from his novel Tempo di uccidere (The Short Cut), winner of the Strega award in 1947, for the American director Jules Dassin, in the ...