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dc.contributor.authorD’Antuono, Nicola
dc.date.accessioned2019-12-05T10:02:33Z
dc.date.available2019-12-05T10:02:33Z
dc.date.issued2019
dc.identifier.citationD’Antuono, Nicola, "Il teatro come spettacolo e lo spettacolo teatrale in Alberto Arbasino." Sinestesieonline, A. 8, no. 25 (Gennaio 2019): 19-27it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/02/gennaio2019-04.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3986
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2206
dc.description.abstractThis essay analyzes the role and the function of theatre and show in the different Alberto Arbasino’s works and poetic. It points out the paradigm from melodrama to cabaret, to musical, to magazine. Inside the courses and appeals, inevitable for the anthropology and the history, the predilection of the theatre is a lack and an artistic urgency to other forms, as it happens during the Italian crisis of the decade 1970-1980 and in the recent years.it_IT
dc.format.extentP. 19-27it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectTeatroit_IT
dc.subjectMelodrammait_IT
dc.subjectCabaretit_IT
dc.subjectMusicalit_IT
dc.subjectMeravigliosoit_IT
dc.subjectTheatreit_IT
dc.subjectMelodramait_IT
dc.subjectWonderfulit_IT
dc.titleIl teatro come spettacolo e lo spettacolo teatrale in Alberto Arbasinoit_IT
dc.typeJournal Articleit_IT
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