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dc.contributor.authorDi Patre, Patrizia
dc.date.accessioned2021-04-21T10:54:07Z
dc.date.available2021-04-21T10:54:07Z
dc.date.issued2020
dc.identifier.citationDi Patre, Patrizia, "Echi testuali dalla ‘Commedia’ a Mario Luzi". Sinestesieonline, A. 9, no. 30 (Settembre 2020): 1-9it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2020/10/settembre2020-07.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/5237
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-3376
dc.description.abstractIn these pages we analyze the dynamics of intertextual relationships established at a distance and between texts of different origins, including famous fragments of opera. The first of these retakes involves Leopardi's use – perhaps consciously –of the aria taken from Così fan tutte Bella vita militar; the analysis of the style, however, highlights a clear Ariosto's interference. The second of the reported operations extends to the Luzi masterpiece Alla vita, but also involves a complex underlying work that leads from Dante's Comedy to the more markedly symbolist verses of Antonio Machado.it_IT
dc.format.extentP. 1-9it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectCosì fan tutteit_IT
dc.subjectLeopardiit_IT
dc.subjectMario Luziit_IT
dc.subjectFonti testualiit_IT
dc.subjectTextual Sourcesit_IT
dc.titleEchi testuali dalla ‘Commedia’ a Mario Luziit_IT
dc.typeJournal Articleit_IT
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