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dc.contributor.authorD’Arienzo, Grazia
dc.date.accessioned2021-09-08T10:30:43Z
dc.date.available2021-09-08T10:30:43Z
dc.date.issued2021
dc.identifier.citationD’Arienzo, Grazia, "Diffrazioni beckettiane: il plesso teatro-schermico di Atom Egoyan”. Sinestesieonline, A. 10, no. 32 (Maggio2021): 1-13it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2021/05/maggio2021-15.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/5702
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-3806
dc.description.abstractAlthough primarily known for his work as a filmmaker, Atom Egoyan has staged several theatre plays. In his career, theatre and the screen appear to be intertwined into a practice strongly influenced by Samuel Beckett. The artist adapts Beckett’s texts on two occasions: a work from behind the camera – the film of the drama Krapp's Last Tape – and a staged ver- sion of Eh Joe’s script. This paper aims to analyse how Egoyan transfers Beckett’s teleplay Eh Joe from the television screen to the stage.it_IT
dc.format.extentP. 1-13it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectSamuel Beckettit_IT
dc.subjectAtom Egoyanit_IT
dc.subjectTeatro multimedialeit_IT
dc.subjectTeatro intermedialeit_IT
dc.subjectEh Joeit_IT
dc.subjectKrapp’s Last Tapeit_IT
dc.titleDiffrazioni beckettiane: il plesso teatro-schermico di Atom Egoyanit_IT
dc.typeJournal Articleit_IT
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