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dcterms.contributor.authorMead, Bryan
dc.date.accessioned2024-10-10T09:23:51Z
dc.date.available2024-10-10T09:23:51Z
dcterms.date.issued2023
dcterms.identifier.citationMead, Bryan. Remaking Horror to Avoid Repeating History: Werner Herzog and ‘Nosferatu’, Sinestesieonline, A. 12, no. 40(Settembre 2023): 2-15it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2023/09/SINESTESIEONLINE_40_Mead.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7479
dc.description.abstractTo address cultural and political issues facing Germany in the late 1970s filmmaker Werner Herzog decided to remake F.W. Murnau’s Nosferatu, one of the most famous German films from the early 1920s. In doing so Herzog was able to connect the country’s past issues with those of his present day, challenging his audience to recognize contemporary shortcomings not as new problems but instead as problems which, like Count Dracula himself, continually resurrect themselves. Herzog’s ability to connect his film with both the German artistic past and the historical past makes his version of Nosferatu an important artifact within New German Cinema.it_IT
dcterms.format.extentP. 2-15it_IT
dc.language.isoenit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.rightsCC BY 4.0it_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectWerner Herzogit_IT
dcterms.subjectGerman Cinemait_IT
dcterms.subjectNosferatuit_IT
dcterms.subjectVampire Moviesit_IT
dcterms.titleRemaking Horror to Avoid Repeating History: Werner Herzog and ‘Nosferatu’it_IT
dcterms.typeJournal Articleit_IT
dc.relation.ispartofjournalSinestesieonline. Periodico quadrimestrale di letteratura e arti della modernitàit_IT
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