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Narrare il trauma in terza persona: richiami autobiografici nei romanzi di Luis Sepúlveda
(Roma: Carocci, 2025)
Luis Sepúlveda, a Chilean writer and political activist, has always revealed very little about his personal
experiences.
In his novels, however, there are often autobiographical elements: the quiet pain for fallen comrades ...
Memoria e trauma: il Gulag tra esperienza diretta ed eredità narrativa in Ginzburg e Aksënov
(Roma: Carocci, 2025)
The article focuses on two works that address the traumatic experience of the Stalinist regime and the Gulag system: Krutoj Maršrut [Into the Whirlwind, 1967] by Evgenija Ginzburg and Moskovskaja saga [The
Moscow Saga, ...
Révolution, trauma et narration: Les Proscrits de Charles Nodier
(Roma: Carocci, 2025)
Charles Nodier (1780-1844) is the author of the post-revolutionary generation who embodied the sense
of trauma, pain, and remembrance. In his first novel, Les Proscrits, an anonymous character embodies the
sense of this ...
Trauma e scrittura. Gli autori con background migratorio in Spagna
(Roma: Carocci, 2025)
In recent years, Spain has seen the emergence of numerous works by authors who, through personal or
family experience, have developed a migratory background. In this essay, I aim to examine how their
writing brings to ...
Hacia un paradigma comunitario en el campo testimonial argentino y chileno
(Roma: Carocci, 2025)
Since its institutionalization in 1970, testimonial writing in Latin America has developed along two
main lines: on the one hand, texts in which an intellectual collects and organizes the words of subaltern
subjects; on ...
La forza della parola in Texaco di Patrick Chamoiseau
(Roma: Carocci, 2025)
This study aims to examine the linguistic dimension of a work whose narrative is set against the geographical backdrop of Martinique, where a contrast arises between the urbanized Fort-de-France and
the “spontaneous” ...
Haunting Narratives and The Legacy of Trauma in Amitav Ghosh’s The Shadow Lines
(Roma: Carocci, 2025)
This article examines the trauma of communal violence as depicted in Amitav Ghosh’s The Shadow Lines
(1988). The narrative centres on two traumatic episodes of catastrophic events that upend the lives of the
anonymous ...
