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http://elea.unisa.it/xmlui/handle/10556/4054| Abstract: | In Twelve Monkeys, a 1995 post-apocalyptic feature, Terry Gilliam credits as his main source of inspiration Chris Marker’s La Jetée (1961), an experimental short movie whose story is told through a series of still images, defined by Marker as a photo-roman. This article analyzes the complex relation existing between the two movies, focusing on the different ways Marker and Gilliam approach themes like time, future, death and cinema. |
| Appears in Collections: | Sinestesieonline. A. 8, no. 26 (Maggio 2019) |
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| File | Description | Size | Format | |
|---|---|---|---|---|
| Sinestesieonline - n. 26 - a. VIII - Maggio 2019. 56-64.pdf | Sinestesieonline - n. 26 - a. VIII - Maggio 2019. 56-64 | 176,26 kB | Adobe PDF | View/Open |
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