Please use this identifier to cite or link to this item: http://elea.unisa.it:8080/xmlui/handle/10556/4118
Title: A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis
Authors: Del Gado, Juan
Gomis, Elsa
Keywords: Film
Refugees
Mediterranean
Representation
Migration
Issue Date: 2019
Citation: Del Gado, J. & Gomis, E.C. (2019). A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge-JMK, 4(2), 223-233. DOI: 10.26409/2019JMK4.2.14
Abstract: This is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the film Altered Landscapes (2016), which is the first part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra-nean.
URI: http://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archive
http://elea.unisa.it:8080/xmlui/handle/10556/4118
http://dx.doi.org/10.26409/2019JMK4.2.14
http://dx.doi.org/10.14273/unisa-2327
ISSN: 2499-930X
Appears in Collections:Vol 4, No 2 (2019): Artistic Strategies of Migration: Art as a Resistance or as a Reinsurance?

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