Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/7895
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Campo DCValoreLingua
dcterms.contributor.authorDe Felici, Roberta
dc.date.accessioned2025-01-13T11:19:14Z
dc.date.available2025-01-13T11:19:14Z
dcterms.date.issued2024
dcterms.identifier.citationDe Felici, Roberta "Effets de variation dans un roman de Mohamed Mbougar Sarr". «Testi e linguaggi» 18, (2024): 55 - 66. [Studi monografici La variazione delle lingue romanze tra ricerca linguistica e letteraria].it_IT
dcterms.identifier.isbn978-88-290-2470-4it_IT
dcterms.identifier.issn1974-2886it_IT
dcterms.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7895
dc.description.abstractThis article aims to analyze some aspects of linguistic and stylistic variation in the novel Silence du chœur by Senegalese writer Mohamed Mbougar Sarr. The novel tells the life of a group of young African migrants in a small Sicilian town. It is a documentary and choral novel, employing a polyphonic and multilingual aesthetic. In fact, to fully describe the characters, whose nationality and sociocultural status are considered, the novelist strives, on the one hand, to reproduce the original idioms and, on the other, to imitate the spoken language (in this case, current French). This gives rise to an oralization effect that runs through the pages of the novel with the aim of achieving a ‘reality effect’.it_IT
dcterms.format.extentP. 55-66
dc.language.isofrit_IT
dcterms.publisher.alternativeRoma: Carocciit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectMohamed Mbougar Sarrit_IT
dcterms.subjectFrancophone contemporary novelit_IT
dcterms.subjectPolyphonyit_IT
dcterms.subjectMultilingualismit_IT
dcterms.subjectRegistersit_IT
dcterms.subjectLinguistic variationsit_IT
dcterms.titleEffets de variation dans un roman de Mohamed Mbougar Sarrit_IT
dcterms.typeJournal Articleit_IT
dc.relation.ispartofjournalTesti e linguaggiit_IT
È visualizzato nelle collezioni:Testi e linguaggi. Volume 18 (2024)

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