| dc.contributor.author | Pistoia, Marco | |
| dc.date.accessioned | 2014-02-21T09:46:22Z | |
| dc.date.available | 2014-02-21T09:46:22Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Pistoia, Marco. “L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema.” «Testi e linguaggi» 7(2013): 109-122. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] | en_US |
| dc.identifier.issn | 1974-2886 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10556/1131 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-21 | |
| dc.description.abstract | The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful
illustrations of his short and long novels. The illustrations – painted by Cruikshank,
Phiz, Leech – were reproduced as slides for the Magic Lantern. But, since the beginning
of the Twentieth Century, cinema was the main medium of Dickens’ s fortune all
over the world. This study tries to connect the several passages from one form – for
instance the book illustrations – to another – the slides for the Magic Lantern, up to
the cinematographic frames. The analysis of some interesting films of the silent era and
– especially – of the beginning of cinema and their relationships with the diversified
‘world’ of other images, is the focus of this study. | en_US |
| dc.format.extent | P. 109-122 | en_US |
| dc.language.iso | it | en_US |
| dc.publisher | Roma : Carocci | |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | en_US |
| dc.subject | Dickens | |
| dc.subject | Illustrations | |
| dc.subject | Film | |
| dc.title | L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema | en_US |
| dc.type | Article | en_US |
