dc.contributor.author | Cata', Cesare | |
dc.date.accessioned | 2014-02-21T12:14:46Z | |
dc.date.available | 2014-02-21T12:14:46Z | |
dc.date.issued | 2013 | |
dc.identifier.citation | Catà, Cesare. “Raccontando «tristi storie della morte dei re».Testo, contesto e rappresentazioni del Riccardo II di Shakespeare”. «Testi e linguaggi» 7(2013):243-256. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] | en_US |
dc.identifier.issn | 1974-2886 | en_US |
dc.identifier.uri | http://hdl.handle.net/10556/1140 | |
dc.identifier.uri | http://dx.doi.org/10.14273/unisa-30 | |
dc.description.abstract | William Shakespeare’s Richard ii presents philosophical and political themes related to
the history of England and a symbolical interpretation of the Wars of the Roses, on the
one hand; and to the person of Queen Elizabeth i, on the other hand: as it is known,
Queen Elizabeth identified explicitly herself with Shakespeare’s Richard of Bordeaux.
As a matter of fact, the famous scene of Richard’s “unkinging” was censored during
Elizabeth’s age. Moreover, the text shows a deep philosophical meaning related to the
role of the king, conceived as a hieratic and holy guide.
The paper analyses the text and explores the historical and modern staging of
the play, from the representation committed by the Earl of Essex to the company of
the Lord Chamberlain’s Men, to acclaimed contemporary performances such as John
Gielgud’s (1929) and Fiona Shaw’s (1997). | en_US |
dc.format.extent | P. 243-256 | en_US |
dc.language.iso | it | en_US |
dc.publisher | Roma : Carocci | |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | en_US |
dc.subject | Richard II | en_US |
dc.subject | Shakespearean movie | en_US |
dc.subject | Contexts | en_US |
dc.title | Raccontando «tristi storie della morte dei re».Testo, contesto e rappresentazioni del Riccardo II di Shakespeare | en_US |
dc.type | Article | en_US |