| dc.contributor.author | Loder, Conny | |
| dc.date.accessioned | 2014-02-21T12:32:30Z | |
| dc.date.available | 2014-02-21T12:32:30Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Loder, Conny. “Shakespeare’s Romeo and Juliet: theatricality of reality against true love?” «Testi e linguaggi» 7(2013): 305-320. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] | en_US |
| dc.identifier.issn | 1974-2886 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10556/1144 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-34 | |
| dc.description.abstract | Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare
myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget
Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime production, Romeo ×
Juliet (2007), all of which draw on pop pastiche. Reducing reality to an imitation of
signs these films inflate signs that are deprived of their essence. Placing Romeo and
Juliet into a world that continually references itself through an abundance of signs,
these films ask how true, authentic love can be experienced. | en_US |
| dc.format.extent | P. 305-320 | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Roma : Carocci | |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | en_US |
| dc.subject | Shakespeare | en_US |
| dc.subject | Romeo and Juliet | en_US |
| dc.subject | Movies | en_US |
| dc.title | Shakespeare’s Romeo and Juliet: theatricality of reality against true love? | en_US |
| dc.type | Article | en_US |
