Shakespeare’s Romeo and Juliet: theatricality of reality against true love?

dc.contributor.author	Loder, Conny
dc.date.accessioned	2014-02-21T12:32:30Z
dc.date.available	2014-02-21T12:32:30Z
dc.date.issued	2013
dc.identifier.citation	Loder, Conny. “Shakespeare’s Romeo and Juliet: theatricality of reality against true love?” «Testi e linguaggi» 7(2013): 305-320. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]	en_US
dc.identifier.issn	1974-2886	en_US
dc.identifier.uri	http://hdl.handle.net/10556/1144
dc.identifier.uri	http://dx.doi.org/10.14273/unisa-34
dc.description.abstract	Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime production, Romeo × Juliet (2007), all of which draw on pop pastiche. Reducing reality to an imitation of signs these films inflate signs that are deprived of their essence. Placing Romeo and Juliet into a world that continually references itself through an abundance of signs, these films ask how true, authentic love can be experienced.	en_US
dc.format.extent	P. 305-320	en_US
dc.language.iso	en	en_US
dc.publisher	Roma : Carocci
dc.source	UniSa. Sistema Bibliotecario di Ateneo	en_US
dc.subject	Shakespeare	en_US
dc.subject	Romeo and Juliet	en_US
dc.subject	Movies	en_US
dc.title	Shakespeare’s Romeo and Juliet: theatricality of reality against true love?	en_US
dc.type	Article	en_US

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