| dc.contributor.author | Pfister, Manfred | |
| dc.date.accessioned | 2014-02-21T12:37:47Z | |
| dc.date.available | 2014-02-21T12:37:47Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Pfister, Manfred . “«Music to Hear…»: da Shakespeare a Stravinsky.” «Testi e linguaggi» 7(2013): 337-351. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] | en_US |
| dc.identifier.issn | 1974-2886 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10556/1146 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-36 | |
| dc.description.abstract | Two of Shakespeare’s sonnets, 8 and 128, stage an intermedial dialogue between music
and poetry. This has challenged a number of modern composers to respond with their
own art, among them Igor Stravinsky with a so far rather neglected musical version of
Music to hear, which is at the centre of this paper. | en_US |
| dc.format.extent | P. 337-351 | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Roma : Carocci | |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | en_US |
| dc.subject | Shakespeare | en_US |
| dc.subject | Sonnets | en_US |
| dc.subject | Stravinsky | en_US |
| dc.title | «Music to Hear…»: da Shakespeare a Stravinsky | en_US |
| dc.type | Article | en_US |
