dc.contributor.author | Gasparov, Boris | |
dc.date.accessioned | 2019-11-29T12:32:23Z | |
dc.date.available | 2019-11-29T12:32:23Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | Gasparov, B. Футуризм и фонология. "Europa Orientalis", 35 (2016): 185-202 | it_IT |
dc.identifier.issn | 0392-4580 | it_IT |
dc.identifier.uri | http://www.europaorientalis.it/ | it_IT |
dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3961 | |
dc.identifier.uri | http://dx.doi.org/10.14273/unisa-2181 | |
dc.description.abstract | The Russian avang-garde movement of the 1910s was inspired by far-reaching ideas
concerning the relation between the sound and meaning in language. An important
factor in the development of those ideas was a polemical dialogue between Russian
Futurists and their Italian counterparts. In the next two decades, Roman Jakobson
transformed visions of early avant-garde into a comprehensive linguistic theory that
had an enormous impact on theoretical linguistics and cultural studies world-wide.
Poetics of Velimir Khlebnikov, which became the subject of research in the early
works of Roman Jacobson had a strong and immediate influence on him. | it_IT |
dc.format.extent | P. 185-202 | it_IT |
dc.language.iso | ru | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.subject | Universal language | it_IT |
dc.subject | Structural phonology | it_IT |
dc.subject | Poetical language | it_IT |
dc.subject | Search of meaning | it_IT |
dc.subject | Russian avang-garde | it_IT |
dc.subject | future and the end of the history | it_IT |
dc.subject | Velimir Khlebnikov | it_IT |
dc.subject | Roman Jakobson | it_IT |
dc.title | Футуризм и фонология | it_IT |
dc.type | Journal Article | it_IT |