| dc.description.abstract | The aim of this research is to introduce the importance of Orazio De Attellis, a
Molisan writer who lived between the eighteenth and the nineteenth century, by realising
the critical edition of two of his works still unknown, that is to say the autobiography
Vicende di un gentiluomo, written in 1845 in the United States, and I miei casi di Roma
sotto il Triumvirato Mazzini, Armellini e Saffi, an autobiographical work, written in
Rome in 1849. These two manuscripts, with other original manuscripts and documents
concerning the author’s life, are stored at the National Library of Naples. These works
are of a great historical value because the author’s biography is closely connected with
the Italian political history of the years he lived. During his whole life, Orazio De
Attellis tried to achieve the ideals of freedom and Italian national unity, both through
direct participation to the events of the Italian Risorgimento and through his
publications.
Despite the historical importance of De Attellis’ works, there are very few studies
on this subject, among them, those of Maria Bizzarrilli and Nino Cortese, dating from
the 1930s, and the most recent study of Luciano Rusich, which dates back to the
beginning of the 1980s. These researchers used the manuscripts of De Attellis to
reconstruct his biography, but none of them dealt with the critical edition of these texts.
There is therefore a real interest in their publication.
As I realized most of the work about the critical edition of the autobiography
Vicende di un gentiluomo in 2016, during my Master thesis, I started my doctoral
course with the transcription of the manuscript I miei casi di Roma. The three parts
which compose the manuscript, that is to say the Sinopsi biografica (a chronology of De
Attellis’ life), the journal containing the events of 1849 and the letters placed at the end
of the work, have been completely transcribed and accompanied by a critical apparatus.
De Attellis wrote I miei casi di Roma to denounce the treatment of the Roman
Triumvirate, especially of Giuseppe Mazzini, who did not accept his collaboration in the
defense of the Roman Republic. Thus, this work is essentially an apology for his political military actions in the context of the Tuscan and Roman republics of 1849. ... [edited by Author] | it_IT |
