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dc.contributor.authorLi, Na <East China Normal University, Shanghai, China>
dc.date.accessioned2023-03-16T12:32:45Z
dc.date.available2023-03-16T12:32:45Z
dc.date.issued2022
dc.identifier.citationNa Li, Performing History in China: Cultural Memory in the Present, «International Public History», vol. 5, 2022, n. 2, pp. 127-141it_IT
dc.identifier.issn2567-1111it_IT
dc.identifier.urihttps://doi.org/10.1515/iph-2022-2049it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/6473
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-4545
dc.description.abstractPerforming history has become immensely popular in China since the dawn of the twenty-first century. What is exactly the cultural impulse behind the massive craze for performing history in China? Premised on history being one of many modes of representation of the past, and performance being one of them, this article argues that performing history through reenactment, an expression of cultural memory mediated and remediated in the present, is a new form of public history in China. The democratic impulse enacted by such a performance can nurture serious discussions on historical issues, cultivate a shared interpretive authority, and shape historical consciousness of the ordinary Chinese.it_IT
dc.format.extentP. 127-141it_IT
dc.language.isoenit_IT
dc.publisherN. Li, Performing History in China: Cultural Memory in the Present, «International Public History», vol. 5, 2022, n. 2, pp. 127-141it_IT
dc.rightsWalter de Gruyterit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectPerformanceit_IT
dc.subjectCultural memoryit_IT
dc.subjectPublic historyit_IT
dc.titlePerforming History in China: Cultural Memory in the Presentit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalInternational Public Historyit_IT
dc.identifier.doihttps://doi.org/10.1515/iph-2022-2049it_IT
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