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dc.contributor.authorTramontana, Gino
dc.date.accessioned2023-08-01T13:35:29Z
dc.date.available2023-08-01T13:35:29Z
dc.date.issued2022
dc.identifier.citationTramontana G. (2022). Pedro Juan Gutiérrez. No lo llamemos realismo sucio. Cultura Latinoamericana, 36 (2), pp. 164-187, DOI: http://dx.doi.org/10.14718/CulturaLatinoam.2022.36.2.8it_IT
dc.identifier.issn2346-0326it_IT
dc.identifier.urihttps://editorial.ucatolica.edu.co/index.php/RevClat/article/view/5005/4447it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/6630
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-4694
dc.description.abstractAnalyzing the work of the Cuban author Pedro Juan Gutiérrez, in most publications, it is customary to compare him with a kind of Caribbean Bukowski. As well as his poetics and style, they are stylistically labeled as belonging to the literary current of Dirty Realism. I consider these parallels fallacious, since I consider Pedro Juan Gutiérrez and Charles Bukowski as two literary universes that, although they start from the same start-ing points, represent two parallel lines that will never join. Furthermore, analyzing the Verist works that emerged in Sicily at the end of the 19th century, it will be my intention to demonstrate how erroneous and superfluous it can be to adopt the label of Dirty Realism in literary worksit_IT
dc.format.extentP. 164-187it_IT
dc.language.isootherit_IT
dc.rightsCC BY-NC-SAit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectDirty realismit_IT
dc.subjectCuban literatureit_IT
dc.subjectRealityit_IT
dc.subjectTruthit_IT
dc.titlePedro Juan Gutiérrez. No lo llamemos realismo sucioit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalCultura Latinoamericana. Revista de estudios interculturalesit_IT
dc.identifier.e-issn2539-0791it_IT
dc.identifier.doihttp://dx.doi.org/10.14718/CulturaLatinoam.2022.36.2.8it_IT
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