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dc.contributor.authorMonteanni, Luigi <SOAS University of London>
dc.date.accessioned2024-09-27T10:09:06Z
dc.date.available2024-09-27T10:09:06Z
dc.date.issued2023
dc.identifier.citationLuigi Monteanni, Year of the Goblin, «Magazén», 4, 2023, n. 2, pp. 291-327it_IT
dc.identifier.urihttps://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/2023/2/year-of-the-goblin/it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7372
dc.description.abstractThis paper sheds light on the connections between musical undergrounds and the global emergence of ‘goblin mode’ as a political aesthetic. In March 2022 The Guardian published an article discussing the popularity of a new locution emerging on social media: ‘goblin mode’. Characterized by a “complete lack of aesthetic” and vaguely pointing towards “the opposite of trying to better oneself”, ‘goblin mode’ was linked to embracing dishevelment, rejecting societal expectations, and giving in to the heavy consumption of junk food and digital content in reaction to the pandemic obsession for domestic and personal improvement.it_IT
dc.format.extentP. 291-327it_IT
dc.language.isoenit_IT
dc.publisherL. Monteanni- Year of the Goblin- «Magazén», 4, 2023, n. 2, pp. 291-327it_IT
dc.rightsCC BYit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleYear of the Goblinit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalMagazénit_IT
dc.identifier.e-issn2724‑3923it_IT
dc.identifier.doihttp://doi.org/10.30687/mag/2724-3923/2023/02/006it_IT
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