dc.contributor.author | Banerjee, Queen Sarkar | |
dc.date.accessioned | 2024-10-10T09:22:43Z | |
dc.date.available | 2024-10-10T09:22:43Z | |
dc.date.issued | 2023 | |
dc.identifier.citation | Banerjee, Queen Sarkar. Embracing the Uncharted: Unveiling the Resurgence of Historical Forms in Contemporary Indian Theatre through Girish Karnad's Tughlaq and Nagamandala,Sinestesieonline, A. 12, no. 40(Settembre 2023): 2-20 | it_IT |
dc.identifier.issn | 2280-6849 | it_IT |
dc.identifier.uri | https://sinestesieonline.it/wp-content/uploads/2023/09/SINESTESIEONLINE_40_Banerjee.pdf | it_IT |
dc.identifier.uri | http://elea.unisa.it/xmlui/handle/10556/7477 | |
dc.description.abstract | The realm of theatre and performing arts has undergone a captivating evolution, leaving an indelible mark on the creative landscape. This research embarks on an intriguing exploration of contemporary Indian theatre, delving into the resurgence of historical forms that defy traditional boundaries and breathe new life into the stage. Through an examination of seminal works such as Girish Karnad's Tughlaq and Nagamandala, this study seeks to unravel the intricate threads connecting past and present, shedding light on how historical ages continue to shape and inspire contemporary theatrical expression. Drawing on constructivist narratology and rhetorical analysis, this study aims to explore how Karnad crafts narratives that blend historical contexts with contemporary themes, examining the underlying motivations and artistic choices behind the use of specific historical forms. The research delves into the transformative power of theatrical forms that transcend their historical context, pushing the boundaries of convention and propelling the performing arts into uncharted territories. By adopting an interdisciplinary lens, this study uncovers the interplay between tradition and innovation as contemporary Indian theatre weaves together a rich tapestry of historical influences with fresh and daring artistic visions. Furthermore, this research paper contributes to the ongoing dialogue surrounding the revitalization of traditional theatrical practices and their relevance in a contemporary context. Through a meticulous analysis of Girish Karnad's Tughlaq and Nagamandala, this study examines how these plays bridge the gap between historical forms and contemporary variations. By shedding light on the artistic choices made by Karnad, the study unravels the potential for theatre to serve as a transformative force, pushing boundaries and inspiring audiences to question, engage, and reimagine the world around them. | it_IT |
dc.format.extent | p. 2-20 | it_IT |
dc.language.iso | en | it_IT |
dc.publisher | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
dc.rights | CC BY 4.0 | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.subject | Indian theatre | it_IT |
dc.subject | Performing arts | it_IT |
dc.subject | Historical forms | it_IT |
dc.subject | Resurgence | it_IT |
dc.title | Embracing the Uncharted: Unveiling the Resurgence of Historical Forms in Contemporary Indian Theatre through Girish Karnad's Tughlaq and Nagamandala | it_IT |
dc.type | Journal Article | it_IT |
dc.relation.ispartofjournal | Sinestesieonline. Periodico quadrimestrale di letteratura e arti della modernità | it_IT |