Testi e linguaggi. Vol.7 (2013): Recent submissions
Now showing items 21-27 of 27
-
Sipari gotici. Lo strano caso del Dr. Boaden e Mr. Lewis
(Roma : Carocci, 2013)Starting from the remarkable intellectual bond linking James Boaden and Matthew Gregory Lewis, this paper investigates the nature of the relationship that, at the end of the eighteenth century, came to be established ... -
Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega
(Roma : Carocci, 2013)Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable interest, as they provide the opportunity to observe closely the author’s work of composition which resulted in the text to ... -
Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo
(Roma : Carocci, 2013)The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration of some significant moments in the ... -
Introduzione
(Roma : Carocci, 2013) -
‘Ich will nach Europa!’: lingua e performance in Perikızı. Ein Traumspiel di E. S. Özdamar
(Roma : Carocci, 2013)Perikızı. Ein Traumspiel is a play, conceived and written by the writer, director and German actress of Turkish origin Emine Sevgi Özdamar to be represented within the international project Odyssee Europe in Germany in ... -
Performative pop. Faserland (1995) di Christian Kracht
(Roma : Carocci, 2013)Kracht’s first novel is about a trip through Germany. The first-person narrator, a semialcoholic young man belonging to the upper class, travels from the north to the south of the country; he spends his time going to ... -
Memory and Performance in Dublin’s Art Scenario: Brian O’Doherty and Sebastian Barry
(Roma : Carocci, 2013)In 2008 Brian O’Doherty buried his alter ego, Patrick Ireland, in Dublin, as a consequence of peace having been restored in Northern Ireland. “We are burying hate”, said the New York artist of Irish origin, “it’s not ...