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Arab-Muslim theatre defended
(2018)
This article re-visits Greek and Arab-Muslim theatres from the avant-garde perspective
to illuminate the aesthetics of theatre to which scholars in the School of Orientalism and
the School of Arab Intelligentsia should ...
Reading Frantz Fanon’s The Wretched of The Earth (1965) as a Social Drama Performance
(2018)
The present paper focuses on the process of performance, which takes the center of the
stage in Frantz Fanon’s The Wretched of the Earth (1965). The author’s presentation of
the conceptual features of Enlightenment in ...
Signs in indigenous tales: a semiotic analysis
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)
Translation and interpretation may be all that are needed to break the bulwark surrounding meanings of folktales in some remote cultures. Using a combination of Peircean’s semiotic objects, representamen and interpretant; ...
La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)
At the crossroad of themes and cultures, Wajdi Mouawad’s writing reflects a rhizomatic array of artistic genres and the most contemporary techniques of performance. Among the writing of this playwright, Seuls constitutes ...
«Ti racconto una storia». Il teatro di narrazione tra scrittura verbale e scrittura di scena
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
“Teatro di narrazione” indica una forma teatrale sviluppatasi negli anni Novanta sulla scena italiana e viva fino ad oggi, che segna una particolare evoluzione della drammaturgia letteraria. Questo genere di teatro si basa ...
Let’s Play Melodrama
(2022)
Melodrama is a show of emotions. It is a question of
heart, in a mixture of feelings for the audience. In my 40
years of work as an actor, I am fascinated by this form
of art: it is a sort of game between performers ...