In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, ...

Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s testamentary novel, a breathless and more or less conscious experiment of self-analysis as well as of self-therapy». The protagonist’s ...

Ibsen and Pirandello represent two pillars of the great bourgeois theatre between the XIX and XX centuries. Their works have always been subject to critical analysis and theatrical representation, in particular, Gengångare ...