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Maschere del genio fra Pirandello, Ugo Fleres, Capuana, Livia De Stefani 

Bombara, Daniela (2018)
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, L’Anello ...
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Una visita dal “di là”: simmetrie oniriche tra Pirandello e Capuana 

Tenerelli, Domenico (2020)
Luigi Capuana, atypical verista attracted by occult’s fascination, was the first ever literary model for Pirandello and also contributed at the end of 800th century to lead ideologically the writer from Girgenti on the ...
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Effetti d’un influsso (mai) interrotto: la presenza di Capuana nell’ultima novella di Pirandello 

Tenerelli, Domenico (2019)
The essay aims to focus the influence that Luigi Capuana, “verista” inclined to the occult’s fascination, had on Effetti di un sogno interrotto (1936), the last Pirandello’s tale, where dreams become reality, the fantastic ...
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AuthorTenerelli, Domenico (2)Bombara, Daniela (1)Subject
Capuana (3)
Pirandello (3)
Creazione artistica (2)Onirismo (2)De Stefani (1)Plagiarism (1)Plagio (1)Re-use (1)Riuso (1)Simulation (1)... View MoreDate Issued2018 (1)2019 (1)2020 (1)Has File(s)Yes (3)
EleA themes by Ugsiba