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dcterms.contributor.authorFederico, Amalia
dc.date.accessioned2019-07-11T12:28:12Z
dc.date.available2019-07-11T12:28:12Z
dcterms.date.issued2018
dcterms.identifier.citationFederico, Amalia. "Fiori, frutta e ossi di seppia. Montale pittore e il genere della natura morta." Sinestesieonline, A. 7, no. 23 (30 Maggio 2018): 58-64it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/06/maggio2018-08.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3399
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-1644
dc.description.abstractThis essay deals with one of the lesser-known aspects of Eugenio Montale’s expressiveness, that of painting. The artistic sensitivity of the Ligurian poet and his predilection for the genre of still life, can be one of the possible interpretative keys of Montale’s poetic of objects. His paintings, far from being only the illustrations of his poems, constitute the alternative and complementary approach to the poetic word, to which Montale arrives in the historical and existential moment in which he seems to have lost his trust in civilization and lyricism. To his paintings, and specifically to the genre of still life, he will entrust the task not only of transforming sentiment into object, but above all of continuing, with different means of expression, his tireless research on reality.it_IT
dcterms.format.extentP. 58-64it_IT
dc.language.isoitit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectMontaleit_IT
dcterms.subjectLiricait_IT
dcterms.subjectPitturait_IT
dcterms.subjectNatura mortait_IT
dcterms.subjectLyricit_IT
dcterms.subjectPaintingit_IT
dcterms.subjectStill lifeit_IT
dcterms.titleFiori, frutta e ossi di seppia. Montale pittore e il genere della natura mortait_IT
dcterms.typeJournal Articleit_IT
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