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dc.contributor.authorHinda, Abdeladim
dc.date.accessioned2019-07-11T14:00:05Z
dc.date.available2019-07-11T14:00:05Z
dc.date.issued2018
dc.identifier.citationHinda, Abdeladim. "Chronotopes of delivery: grounding the cultural politics of Moroccan theatre." Sinestesieonline, A. 7, no. 24 (30 Ottobre 2018): 5-18it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/10/ottobre2018-17.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3408
dc.description.abstractThe article seeks to highlight the chronotopes of delivery in modern Moroccan theatre and show how and when the act of grounding its cultural politics took place. It unmasks Lyautey’s dynamics of colonial modernity and highlights the historical role of Theatre of Resistance which used colonial levers as resistance weapons to subvert and destabilize the position of the colonizer, disperse his very identity and authority and displace western hegemony. In short, the article sheds luster on the traces of modernity in post-colonial Moroccan theatre and how these traces came to be frowned upon following the post-colonial turn.it_IT
dc.format.extentP. 5-18it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleChronotopes of delivery: grounding the cultural politics of Moroccan theatreit_IT
dc.typeJournal Articleit_IT
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