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dc.contributor.authorGasparov, Boris
dc.date.accessioned2019-11-29T12:32:23Z
dc.date.available2019-11-29T12:32:23Z
dc.date.issued2016
dc.identifier.citationGasparov, B. Футуризм и фонология. "Europa Orientalis", 35 (2016): 185-202it_IT
dc.identifier.issn0392-4580it_IT
dc.identifier.urihttp://www.europaorientalis.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3961
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2181
dc.description.abstractThe Russian avang-garde movement of the 1910s was inspired by far-reaching ideas concerning the relation between the sound and meaning in language. An important factor in the development of those ideas was a polemical dialogue between Russian Futurists and their Italian counterparts. In the next two decades, Roman Jakobson transformed visions of early avant-garde into a comprehensive linguistic theory that had an enormous impact on theoretical linguistics and cultural studies world-wide. Poetics of Velimir Khlebnikov, which became the subject of research in the early works of Roman Jacobson had a strong and immediate influence on him.it_IT
dc.format.extentP. 185-202it_IT
dc.language.isoruit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectUniversal languageit_IT
dc.subjectStructural phonologyit_IT
dc.subjectPoetical languageit_IT
dc.subjectSearch of meaningit_IT
dc.subjectRussian avang-gardeit_IT
dc.subjectfuture and the end of the historyit_IT
dc.subjectVelimir Khlebnikovit_IT
dc.subjectRoman Jakobsonit_IT
dc.titleФутуризм и фонологияit_IT
dc.typeJournal Articleit_IT
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