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dc.contributor.authorVisinoni, Alessandra
dc.date.accessioned2020-05-19T06:46:59Z
dc.date.available2020-05-19T06:46:59Z
dc.date.issued2018
dc.identifier.citationVisinoni, A. Intellettuali e artisti russi all’Accademia Carrara di Bergamo tra Otto e Novecento. "europa orientalis", 37 (2018): 159-172it_IT
dc.identifier.issn0392-4580it_IT
dc.identifier.urihttp://www.europaorientalis.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4437
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2639
dc.description.abstractThis article is meant to be a contribution to the deepening of Italian-Russian cultural relations between the nineteenth and early twentieth century. The attention will focus on the impressions that Accademia Carrara of Bergamo and its painting gallery aroused in the souls of some of the greatest Russian artists and intellectuals of the time. Through the analysis of memories and letters, published and unpublished, we will proceed to the identification of the works actually admired by travelers. We will examine, in particular, the testimonies of the scholar Fëdor Čižov (1811-1877), the poet Vasilij Žukovskij (1783-1852), the painter Aleksandr Ivanov (1806-1858) and the writer and art historian Pavel Pavlovič Muratov (1881-1950), whose admiration for the works of art kept at the Carrara painting gallery is attested in the famous book Images of Italy (1911-1912).
dc.format.extentP. 159-172it_IT
dc.language.isoitit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectRussian artistsit_IT
dc.subjectintelligentsiyait_IT
dc.subjectItalian-Russian cultural relationsit_IT
dc.titleIntellettuali e artisti russi all’Accademia Carrara di Bergamo tra Otto e Novecentoit_IT
dc.typeArticleit_IT
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