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dc.contributor.authorAloe, Stefano
dc.date.accessioned2020-05-19T12:56:28Z
dc.date.available2020-05-19T12:56:28Z
dc.date.issued2019
dc.identifier.citationAloe, S. Incise sul corpo del socialismo reale: dalla bardovskaja pesnja al rock sovietico. "europa orientalis", 38 (2019): 173-188.it_IT
dc.identifier.issn0392-4580it_IT
dc.identifier.urihttp://www.europaorientalis.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4452
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2654
dc.description.abstractBetween the bardovskaya pesnya – the best manifestation of the alternative Soviet culture in the ’60s and ’70s – and the so-called “Soviet Rock” of the ’80s, there are lots of similarities. The article maintains that this peculiar variation of rock music represents the last step in the development of the strand starting from the bardovskaya pesnya. “Soviet Rock” has two basic premises in common with this form of song: the central role of the word (lyrics are more important than music), and the identity between author-performer and the song itself, seen as a subjective experience which is able to convey shared values that are an alternative to official conformism. In order to prove this hypothesis, the article analyses a typological survey concerning the salient features of “Soviet Rock” and its affinities and differences with Western rock.it_IT
dc.format.extentP. 173-188it_IT
dc.language.isoitit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectSoviet rockit_IT
dc.subjectBardovskaya pesnya (soviet author’s song)it_IT
dc.subjectSoviet alternative cultureit_IT
dc.subjectYouth cultureit_IT
dc.subjectPoetry and musicit_IT
dc.titleIncise sul corpo del socialismo reale: dalla bardovskaja pesnja al rock sovieticoit_IT
dc.typeArticleit_IT
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