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Items 11-20 di 21
S. Giannini e S. Scaglione, Lingue e diritti umani : [recensione]
(Roma : Carocci, 2012)
Michael Ondaatie, The Cat’s Table : [recensione]
(Roma : Carocci, 2012)
Análisis contrastivo de narraciones de estudiantes italianos e ingleses de ele desde una perspectiva sociolingüística
(Roma : Carocci, 2012)
In this pilot study we present the results obtained in the analysis of two microcorpora
about oral narrative in Spanish carried out by two cultural and language
different populations, the Italian and the English one, ...
Dalla terra desolata al paradiso riconquistato: riflessione e rivelazione in Richard II
(Roma : Carocci, 2012)
Tragedie et preuve narrative
(Roma : Carocci, 2012)
This essay proposes some reflections on “narrative proof”. As largely known, a tale
is not told to convey information only; that is: fiction does not transmit information
directly. Tales, novels, dramas try to prove some ...
Quadri, paesaggi, cornici: lo spazio della descrizione nel Maler Nolten di Eduard Mörike
(Roma : Carocci, 2012)
In the novel of Eduard Mörike Maler Nolten, published in 1832 on a «threshold
era» between the 1800 and 1900 modernity innovations, interesting transforming
modalities of narrative techniques develop, creating continuous ...
Eureka di Edgar Allan Poe: letteratura o scienza?
(Roma : Carocci, 2012)
This paper aims to analyse Edgar Allan Poe’s last work, Eureka, written and published
in 1848 with the subtitle A Prose Poem, but then republished with another
subtitle, An Essay on the Material and Spiritual Universe.
The ...
La narrazione come testo affine
(Roma : Carocci, 2012)
A narrative text (narration) is traditionally explained in two main alternative ways.
First explanation: we have a narration when a text is structured in relation to time.
The narrative text is a story, the facts are ...
Multimodalità futura e originaria
(2012)
Multimodality is not a property of modern technological media, but a natural feature
of human communication. Speech in natural conditions entails audio-visual
integration and every verbal text is in fact a multidimensional ...