Музыкально-теургические пророчества Вячеслава Иванова

Abstract

The article considers the idea of theurgy in Russian culture of the end of the 19th - the beginning of the 20th century, shows its historical sources, main ideas and value. Viach. Ivanov’s idea of the musical theurgy is under special attention, also as some phenomena of the 20th-century music culture (J. Cage, K. Stockhausen), which follow the logic of Viach. Ivanov by their own ways and in other religious context.