Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/6162
Titolo: The Audiovisual Dimension & the Digital Turn in Public History Practices
Autore: Salvatori, Enrica <Università di Pisa>
Parole chiave: Audio;Video;Podcasts;Docufiction;Storytelling
Data: 2022
Editore: E. Salvatori, "The Audiovisual Dimension & the Digital Turn in Public History Practices", in Handbook of Digital Public History, Berlin, Boston: De Gruyter Oldenbourg, 2022, pp. 495-504
Citazione: Enrica Salvatori, "The Audiovisual Dimension & the Digital Turn in Public History Practices", in Handbook of Digital Public History, edited by Serge Noiret, Mark Tebeau and Gerben Zaagsma, Berlin, Boston: De Gruyter Oldenbourg, 2022, pp. 495-504
Abstract: The historical tale has always been more effective and engaging with theuse of sounds and images than with the fixity of the written word. In a certain way,the audio/visual dimension allowed by the digital turn brings the tale back to itsoriginal fluidity, returning it to its original identity. As a tale made by sounds andimages, the“story”must have its own styles, special effects, pauses, and rhythms,which have a decisive and primary importance related to its contents. The currentdigital revolution has emphasized this ability of the storytelling to influence, invokeand evocate and captivate by multiplying the ways and the tools in order to pro-duce and pubish audio-visual“stories”and increasing and modifying the impactforce of the historical audiovisual narrative.
URI: https://doi.org/10.1515/9783110430295-044
http://elea.unisa.it:8080/xmlui/handle/10556/6162
http://dx.doi.org/10.14273/unisa-4254
ISBN: 978-3-11-043922-9
e-ISBN: 978-3-11-043029-5
È visualizzato nelle collezioni:Contributi in volume / Contributions in books

File in questo documento:
File Descrizione DimensioniFormato 
elphi 1blu.jpgla documentazione non è disponibile41,54 kBJPEGVisualizza/apri


Tutti i documenti archiviati in DSpace sono protetti da copyright. Tutti i diritti riservati.