Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/6343
Title: El uso del meme en las elecciones del 4-M: estudio de las estrategias argumentativas y de proyección de imagen de Isabel Ayuso como can-didata y alcaldesa de Madrid
Authors: Ruggeri, Alessia Anna Serena
Keywords: 4-M elections;Political meme;Social image;Isabel Díaz Ayuso
Issue Date: 2022
Citation: Ruggeri, A. A. S. (2022). El uso del meme en las elecciones del 4-M: estudio de las estrategias argumentativas y de proyección de imagen de Isabel Ayuso como can-didata y alcaldesa de Madrid. Cultura Latinoamericana, 35(1), pp. 230-264. DOI: http://dx.doi.org/10.14718/CulturaLatinoam.2022.35.1.12
Abstract: The present paper aims to delve deeper into the representation of women in public domains on 3.0 platforms. Specifically, emphasis will be placed on the multimodal discursive analysis in the pre-vote and post-election phase of Isabel Ayuso’s candidacy in the 4-M elections through the analy-sis of political memes. Among the strategies used by both politicians and users of social networks, the meme is characterized as the most power-ful instrument when it comes to producing a message. At the same time is also a genre through which the political adversary is represented by means of communication rules that eradicate what is known as ‘pop com-munication’. In this context, we ask ourselves what is the representation of women in political domains in memes, what are the strategies used to represent their figure and if they undergo any change between the elec-toral campaign and post-electoral phases.
URI: https://editorial.ucatolica.edu.co/index.php/RevClat/article/view/4730/4208
http://elea.unisa.it:8080/xmlui/handle/10556/6343
http://dx.doi.org/10.14273/unisa-4424
ISSN: 2346-0326
Appears in Collections:Cultura Latinoamericana. Vol. 35 Núm. 1 (enero - junio 2022)

Files in This Item:
File Description SizeFormat 
document (38).pdfRuggeri, A. A. S. Cultura Latinoamericana, 20224,04 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.