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La contesa e il trionfo: Otto Brahm e le testimonianze sulla Freie Bühne
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The study examines an essay written by Otto Brahm and published in October 1909 in the «Berliner Tageblatt». A careful reading of the entire document entitled Freie Bühne, complete with the last three pages handwritten by ...
Arte e memoria. La testimonianza artistica della deportazione
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
This paper proposes a comparative analysis between the different theses of deported artists (some of whom survived) who managed to produce drawings during their detention in the Nazi’s camps. Some of them said they drew ...
Il paradigma dell’arte sinestetica: la rinascita della messa in scena tragica al teatro greco di Siracusa
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The essay describes the main stages of the conception and organization of classical
representations in the Greek theater in Syracuse, starting from 1914. Mario Tommaso
Gargallo’s and Ettore Romagnoli’s work is set in the ...
Per una rilettura dei Daimons in His Dark Materials di Philip Pullman: anime visibili in una «Pullmanesque Lore»
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The present study focuses on the role of daimons in the trilogy His Dark Materials by
Philip Pullman, by showing some possible links to the traditional representations of the “double” in literature. Within Pullman’s ...
Il genio sovversivo di Renato Caccioppoli secondo Jean-Noël Schifano
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
This paper introduces and analyzes characteristics, aspects and contents of the
biographical story that Jean-Noël Schifano has written about Renato Caccioppoli
(Naples, 1904-1959), a recognized academic and mathematical ...
Between Florence and Glamis: on Macbeth’s Machiavellian phase
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The influence of Machiavelli on Early Modern British drama is quite obvious. The
character named after him haunts the stage in different forms. Despite the official ban
enacted by ecclesiastical and secular authorities ...
Images as discursive praxes: Mick Jagger in Tangiers
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
Images do not simply grow of their own volition in meadows unplanted and unwatered. Inundating screens and even walls, images pervade and invade every inch of our privacy. So pervasive and invasive has this presence become ...
Fondamenti del pensiero delsartiano: fra memoria e poetica teatrale
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The word memory in the Delsartean writings can refer to two different phenomena. On the one hand, there is the individual memory, a sort of archive that man builds during his existence and that allows him to connect several ...
The 2011 Constitution: the Moroccan Amazigh Woman’s Empowerment
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The new millennium has signaled a new phase for Moroccan women’s legal triumph. The 2004 Family Code and the 2011Constitution are until now the main achievements of Moroccan women’s feminist movement. In addition to granting ...
Quasimodo critico, traduttologo, teorico della letteratura e intellettuale “impegnato” negli scritti giornalistici di «Tempo» (“I Colloqui”) e di «Le Ore» (“Il falso e il vero verde”)
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)