In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, ...

The complex and suggestive literary production of Enzo Moscato, prolific and polymorphic writer of the contemporary artistic scene, invariably returns a meticulous fresco of the city of Naples which, in a varied and ...

The direction of theatre of the 1970s, as Valentina Valentini writes, characterized New Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders and, at the same time, with its tension ...

Retracing Sapienza’s experience as an actress in two periods, 1941-1960 and 1982- 1989, regarding theater, television and radio, thanks to items never considered before, this essay suggests a new chronology which enlightens ...

The essay tries to analyze the figure, the work and the thinking of Edoardo Sanguineti through the analysis of some of the interviews granted between the end of the ’60 and 2010 and recently got back in the Archives of ...

Ibsen and Pirandello represent two pillars of the great bourgeois theatre between the XIX and XX centuries. Their works have always been subject to critical analysis and theatrical representation, in particular, Gengångare ...

Starting from the vesuvian eruption in 1631 emerge many cultural forms about some places adjacent to Vesuvius like rites, traditions, sounds, visual arts and writings that require a special scientific attention. This ...

The author reflects on the criteria that guided Iermano in the research and in the preparation of the volume, in which the main intent was to reconstruct the reasons for the success decreed for years now for the successful ...