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  • Sinestesieonline. A. 7, no. 23 (30 Maggio 2018)
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Maschere del genio fra Pirandello, Ugo Fleres, Capuana, Livia De Stefani 

Bombara, Daniela (2018)
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, L’Anello ...
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«Ad occhi chiusi». Lacan (non) legge Poe 

Anglani, Bartolo (2018)
This paper muses on the famous Séminaire sur «La lettre volée» held by Jacques Lacan on April 26, 1955, and published in the first volume of Écrits (1966). According to such an analysis, Lacan isolated this narrative from ...
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Nella biblioteca di un poeta. Pier Paolo Pasolini con i libri della sua vita 

Fàvaro, Angelo (2018)
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Tra ‘saittelle’, vicoli e casini: per una “topografia esistenziale” della scrittura di Enzo Moscato 

Guercio, Giancarlo (2018)
The complex and suggestive literary production of Enzo Moscato, prolific and polymorphic writer of the contemporary artistic scene, invariably returns a meticulous fresco of the city of Naples which, in a varied and ...
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Lo scontro tragico tra natura e tecnologia ne La Principessa Mononoke 

Quinto, Matteo (2018)
This paper aims at analysing the relationship between Nature and Technology in Princess Mononoke by Hayao Miyazaki. This complex relationship appears in many works of the director and it constitutes the key point in Princess ...
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«Una realtà di puri echi»: simbolo e comunione in Pirandello, chi? di Amelio Memè Perlini 

Berlangieri, Maria Grazia (2018)
The direction of theatre of the 1970s, as Valentina Valentini writes, characterized New Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders and, at the same time, with its tension towards ...
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Giorgio Villani, Il convitato di pietra. Apoteosi e tramonto della linea curva nel Settecento, Firenze, Olschki, 2016. [Recensione] 

Favaro, Francesca (2018)
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Il trattato L’Amore e La «legge dell’egoismo universale»: il positivismo inquieto di Federico De Roberto 

Carmina, Claudia (2018)
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Prima della Lehman Trilogy: Stefano Massini tra impegno, poesia, dubbio e divino 

Cioffrese, Davide (2018)
An analysis concerning the work of young theatre director and playwright Stefano Massini, with its focus split in three main lines of inquiry, both formal and thematic: the commitment to a social cause, conveyed through ...
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«Recitando si impara a scrivere»: Goliarda Sapienza a teatro, tra biografia e documenti inediti 

Trevisan, Alessandra (2018)
Retracing Sapienza’s experience as an actress in two periods, 1941-1960 and 1982- 1989, regarding theater, television and radio, thanks to items never considered before, this essay suggests a new chronology which enlightens ...
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AutoreCataudella, Sara (2)Anglani, Bartolo (1)Berlangieri, Maria Grazia (1)Bombara, Daniela (1)Calceglia, Ivana (1)Carmina, Claudia (1)Cimmelli, Elisa (1)Cioffrese, Davide (1)Favaro, Francesca (1)Federico, Amalia (1)... View MoreSoggettoNapoli (2)Pirandello (2)Teatro (2)Autorialità (1)Barbara Allason (1)Barocco (1)Beat ’72 (1)Biografia (1)Capuana (1)Comico (1)... View MoreDate Issued
2018 (19)
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EleA themes by Ugsiba