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«Una realtà di puri echi»: simbolo e comunione in Pirandello, chi? di Amelio Memè Perlini
(2018)
The direction of theatre of the 1970s, as Valentina Valentini writes, characterized New
Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders
and, at the same time, with its tension towards ...
Pirandello e Ibsen nel perimetro di scena ronconiano
(2018)
Ibsen and Pirandello represent two pillars of the great bourgeois theatre between the
XIX and XX centuries. Their works have always been subject to critical analysis and
theatrical representation, in particular, Gengångare ...
José Vicente Quirante. Vesuvi. Poesie (Prefazione di Giuseppe Montesano. Traduzione e cura di Marco Ottaiano), Napoli, Grimaldi & C. Editori, 2017. [Recensione]
(2018)
Recensione a Vesuvi. Poesie, una raccolta di poesie dell’autore spagnolo José Vicente
Quirante.
Maschere del genio fra Pirandello, Ugo Fleres, Capuana, Livia De Stefani
(2018)
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation,
particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s
friend Ugo Fleres writes a novel, L’Anello ...
Tra ‘saittelle’, vicoli e casini: per una “topografia esistenziale” della scrittura di Enzo Moscato
(2018)
The complex and suggestive literary production of Enzo Moscato, prolific and
polymorphic writer of the contemporary artistic scene, invariably returns a meticulous
fresco of the city of Naples which, in a varied and ...
Uno scrittore allo specchio: Edoardo Sanguineti attraverso le interviste nell’archivio di TecheRai
(2018)
The essay tries to analyze the figure, the work and the thinking of Edoardo Sanguineti
through the analysis of some of the interviews granted between the end of the ’60 and
2010 and recently got back in the Archives of ...