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Tommaso Salvini. Voce e gesto dell’attore italiano nelle pagine critiche delle stagioni londinesi (1875-1876-1884)
(2021)
Between 1875 and 1884 Tommaso Salvini went three times on tour in London. This article aims to investigate and analyze the interpretative and methodological characteristics of the great Italian actor through the critical ...
Trovarsi «alle soglie della vita»: Ingmar Bergman ri-letto da Sylvia Plath
(2021)
This essay focuses on the generative encounter of Sylvia Plath with the movies of Ingmar Berg-man whose acquaintance with the labyinths of the psyche perfectly fits the inner chasms ex-plored by the poet. The lyrical ...
Leonardo Antonio Forleo e la ‘Divina Commedia’: il «libro verseggiato di morale»
(2021)
The essay proposes the analysis of Guida allo studio di Dante, published in 1844 by Leonardo Antonio Forleo, an Apulian scholar whose crit-ics have recognized the merit of having contrib-uted to the cult and reading ...
Il tema del “fraterno” in ‘Fiesta al Noroeste’(1953) di Ana María Matute. Una proposta di lettura in chiave psicoanalitica
(2021)
The essay analyzes the functions of the “brotherhood” in the formation of family dynamics in Fiesta al Noroeste, a novel by Ana María Matute published in 1953. The study aims to show how the ...
Alla ricerca di Alezeia: la ‘Trilogia del Serenismo’ di Luigi Candoni
(2021)
Luigi Candoni (1921-1974) today: an almost unknown author, despite he witnessed the tran-sition from the author's theatre to the director's theatre in Italy, where he brought the avant-garde of Beckett, Adamov, Ionesco. ...
Geografia e sistemi di produzione della Commedia dell’Arte in Italia e in Europa
(2021)
Numerous ways of research follow, in an auton-omous manner, the evolution of Commedia dell'Arte in different context in which it takes place: from courtly patronage of northern Italy to the atypical ...
Pulp, media e nuove fonti. I venticinque anni di ‘Gioventù cannibale’
(2021)
The paper returns to Gioventù cannibale 25 years after his release. After discussing about his adherence to pulp paradigms, it looks to characterizing aspects of the “cannibale” writ-ing: assimilation of media suggestions, ...