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  • Sinestesieonline. Anno 10, no. 32 (Maggio 2021)
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Dante o dell’umana fragilità 

D’Angelo, Laura (2021)
On the occasion of celebrations of 700th Anniversary of Dante’s death, the aim of this work is to underline the universality of Dante’s poetry, in the description of human sufferings, according to modern and post- ...
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Zona rossa: di confinamenti e confini teatrali 

Perna, Mario (2021)
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Clorinda Donato, The Life and Legend of Catterina Vizzani. Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, Oxford University Studies in the Enlightenment, Liverpool University Press 2020 [recensione] 

Pagani, Maria Pia (2021)
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Il tragico quotidiano. La “revanche du mythe” nel teatro francese tra le due guerre 

Marinai, Eva (2021)
From the 1920s to the end of the Second World War, in Europe but especially in France, scholars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, ...
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Renzo Guardenti, In forma di quadro. Note di iconografia teatrale 

Iovine, Iari (2021)
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Catastrofe: l’albero, la luna e i pantaloni 

Frasca, Gabriele (2021)
Perhaps the most striking thing about En attendant Godot is its alleged maturity. But it is a misleading impression, since the text now available, and obviously the “revised text”, was established only after a ...
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Psychoanalysis and theatre revisited: the function of character in mediating unconscious processing in spectatorship 

Turri, Maria Grazia (2021)
This paper invites the reader to revisit some of the most productive encounters between psychoanalysis and theatre, taking the relationship between character, actor and the spectator’s response as its thread. It starts ...
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Manuel Maccarini, Puesta en memoria. Siete monólogos, Editorial Inteatro, Buenos Aires 2020 [recensione] 

Pensa, Mariana (2021)
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Tra naturalismo e meridionalismo. Francesco Guarino, il maestro dell’Annuncio ai Pastori e la questione meridionale [recensione] 

Sica, Riccardo (2021)
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Diffrazioni beckettiane: il plesso teatro-schermico di Atom Egoyan 

D’Arienzo, Grazia (2021)
Although primarily known for his work as a filmmaker, Atom Egoyan has staged several theatre plays. In his career, theatre and the screen appear to be intertwined into a practice strongly influenced ...
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AuthorPensa, Mariana (2)Bousmaha, Ghita (1)D’Angelo, Laura (1)D’Arienzo, Grazia (1)D’Avascio, Roberto (1)Frasca, Gabriele (1)Iovine, Iari (1)Khanbabaei, Vida (1)Marinai, Eva (1)Mastronardi, Maria Aurelia (1)... View MoreSubjectDante (2)Samuel Beckett (2)Anouilh (1)Antihero (1)Aspettando Godot (1)Atom Egoyan (1)Bessarione (1)Camus (1)Cartel des Quatre (1)Catarsis (1)... View MoreDate Issued2021 (17)Has File(s)Yes (17)
EleA themes by Ugsiba