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Da regalista a giacobino: l'itinerario culturale di Francesco Saverio Salfi 

Criscuolo, Vittorio (2016)
Francesco Saverio Salfi was a playwright between the XVIIIth and the XIXth centuries. The differences with the curia of Cosenza led him to move to Naples in 1785. He became very active in promoting the interests of the ...
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Theatrum mundus, spectator Deus: Agostino e il rapporto tra filosofia e teatro 

Bisogno, Armando (2020)
Augustin works out, in his long production, a complex but unitary vision of creation; according to him, the history is the scene of the course of human actions (theatrum mundus) and God is at the same time creator and sole ...
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Geografia e sistemi di produzione della Commedia dell’Arte in Italia e in Europa 

Lombardi, Gianmarco (2021)
Numerous ways of research follow, in an auton-omous manner, the evolution of Commedia dell'Arte in different context in which it takes place: from courtly patronage of northern Italy to the atypical ...
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Il teatro come spettacolo e lo spettacolo teatrale in Alberto Arbasino 

D’Antuono, Nicola (2019)
This essay analyzes the role and the function of theatre and show in the different Alberto Arbasino’s works and poetic. It points out the paradigm from melodrama to cabaret, to musical, to magazine. Inside the courses and ...
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La contesa e il trionfo: Otto Brahm e le testimonianze sulla Freie Bühne 

Iovine, Iari (2019)
The study examines an essay written by Otto Brahm and published in October 1909 in the «Berliner Tageblatt». A careful reading of the entire document entitled Freie Bühne, complete with the last three pages handwritten by ...
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«La pratica senza la teorica»: qualche riflessione sulla memoria e sul progetto della scena in Perrucci (e nel teatro napoletano) 

Cotticelli, Francesco (2019)
The essay constitutes a first approach to a research project. It focuses on a problem related to an analysis of Andrea Perrucci’s treatise Dell’arte rappresentativa premeditata, ed all’improvviso (1699). In this book ...
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Travestimenti autobiografici scarpettiani: metodologie di verifica 

Innamorati, Isabella (2019)
This essay critically examines the autobiography of Eduardo Scarpetta, problematizing the idea of the author’s memoir as an authentic confession. Analysing several declarations written by Scarpetta, the study shows how ...
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Antonin Artaud: il teatro come mezzo per rifare la vita 

Sommaiolo, Paolo (2020)
One of the first voices of the twentieth century that invoked the essence of the theater as the man in action, in his entirety as body mind, is that of Antonin Artaud. His writings reflect his tormented existential and ...
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Scene per un mondo nuovo. Vanessa Bell, Duncan Grant e il Famous Women Dinner Service 

Trotta, Antonella (2020)
In 1933-34, the Bloomsbury Group painters Duncan Grant and Vanessa Bell honored twelve actresses and dancers from XVIIto XXcentury in The Famous Women Dinner Service, the Wedgewood dinner set which was one of Bell and ...
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Il corpo come luogo di memoria. Intervista a Chiara Bersani 

D’Amico, Flavia Dalila (2017)
Questa intervista all’artista Chiara Bersani nasce dall’urgenza di confronto tra le teorie e le ridefinizioni estetiche delle pratiche artistiche. Mentre infatti gli artisti sfidano le rappresentazioni e le concezioni di ...
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AuthorFrattali, Arianna (4)Bellavia, Sonia (2)Bisogno, Armando (1)Calcagno, Luca Vincenzo (1)Casadio, Asteria (1)Cecchini, Franco (1)Compantangelo, Maria Letizia (1)Cotticelli, Francesco (1)Criscenti, Virginia (1)Criscuolo, Vittorio (1)... View MoreSubject
Teatro (37)
Theatre (19)Theater (5)Napoli (3)Actors (2)Artaud (2)Attori (2)Autobiografia (2)Autobiography (2)Corpo (2)... View MoreDate Issued2024 (6)2022 (5)2016 (4)2019 (4)2020 (3)2017 (2)2018 (2)2021 (1)2023 (1)2025 (1)Has File(s)Yes (37)
EleA themes by Ugsiba