In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, ...

This paper muses on the famous Séminaire sur «La lettre volée» held by Jacques Lacan on April 26, 1955, and published in the first volume of Écrits (1966). According to such an analysis, Lacan isolated this narrative ...

Retracing Sapienza’s experience as an actress in two periods, 1941-1960 and 1982- 1989, regarding theater, television and radio, thanks to items never considered before, this essay suggests a new chronology which enlightens ...

As part of the celebrations for the Centenary of the Great War, there have been many initiatives aimed at examining, in addition to the historical aspects, the consequences that the First World War has had on the society ...

The complex and suggestive literary production of Enzo Moscato, prolific and polymorphic writer of the contemporary artistic scene, invariably returns a meticulous fresco of the city of Naples which, in a varied and ...

Ibsen and Pirandello represent two pillars of the great bourgeois theatre between the XIX and XX centuries. Their works have always been subject to critical analysis and theatrical representation, in particular, Gengångare ...

The direction of theatre of the 1970s, as Valentina Valentini writes, characterized New Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders and, at the same time, with its tension ...

The aim of this essay is to give an explanation of a novel by Italo Calvino, Il Barone rampante. The work is set on a previous written entitled L’occhio di Calvino by Marco Belpoliti. That will afford us to have an ...