• Considerazioni introduttive 

  Lops, Marina; Nienhaus, Stefan; Perrone Capano, Lucia (Roma : Carocci, 2022)
• Transgressionen bei Mela Hartwig: Aufzeichnungen einer Häßlichen (1928) und das Ideal der ‚Neuen Frau‘ 

  Box, Marijke (Roma : Carocci, 2022)

  Mela Hartwig’s story Aufzeichnungen einer Häßlichen, first published in 1928, is about a nurse who thinks she is unspeakably ugly and falls unhappily in love with her superior doctor. The protagonist tells her own story ...
• “Die Fröste der Freiheit” Mela Hartwig, Marieluise Fleißer e il lato oscuro dell’emancipazione 

  Gheri, Paola (2022)

  In line with the great changes that took place after World War I, in the societies of German-speaking countries women achieved important goals in the struggle for emancipation. Yet, once legal rights were gained, women had ...
• La neue lesbische Frau weimariana o sulla narrativizzazione dell’immagine della donna queer 

  Iannucci, Giulia (Roma : Carocci, 2022)

  In order to understand the lesbian/queer literary production as a defined category referring to the theories of the third sex by Ulrichs and Hirschfeld, the present investigation aims to examine the novels by Aimée Duc, ...
• La “cuestión peliaguda”: en torno a la imagen de la moderna en la literatura y la prensa de entreguerras 

  Russo, Antonella (Roma : Carocci, 2022)

  The purpose of this work is to investigate the image of the new woman in Spanish culture and literature of the Twenties and Thirties, through a wide and varied corpus that includes both the novel and various forms of ...
• “we have no choice left but confess – he was a woman”. Queering and theory-building potential in Virginia Woolf ’s Orlando 

  Bollschweiler, Patricia (Roma : Carocci, 2022)

  Virginia Woolf ’s novel Orlando (1928) impressively anticipates that becoming and being a woman (or a man) are cultural processes of inscription and internalization of gendered roles. Orlando miraculously changes their sex ...
• Alle radici di un personaggio de/genere: Clytemnestre ou le crime di Marguerite Yourcenar e il teatro eschileo 

  Amendola, Stefano (Roma : Carocci, 2022)

  The paper investigates the relationship between Yourcenar’s monologue “Clytemnestre ou le crime” and Aeschylus’ tragedy “Agamemnon” in the literary representation of the sexual identity of the mythical queen Clytemnestra. ...
• Von ‚frechen Frauen‘ und ‚literarischen Fräuleinwundern‘ – Das pejorative Labeling zeitgenössischer Literatur von Frauen 

  Folie, Sandra (Roma : Carocci, 2022)

  Every wave of the women’s movement seems to be accompanied by at least one wave of feminist ‘new women’s fiction’. Thus, the late 20th century daughters of the second-wavers were often associated with freche Frauen ...
• Frauenfiguren in Kathrin Rögglas Prosaband Irres Wetter: sprachliche Inszenierungen 

  Wilke, Beatrice (Roma : Carocci, 2022)

  This article examines the collection of short stories Irres Wetter (2000) by contemporary author Kathrin Röggla with the aim of focusing on the narrative and linguistic strategies with which the writer represents a ...
• Sasha Marianna Salzmanns Außer sich queer gelesen 

  Hipp, Dominique (Roma : Carocci, 2022)

  This article provides a queer reading of Sasha Marianna Salzmann’s novel Außer sich (2017). Telling the story of the transition of the main character Ali, the novel meets the readers’ expectations of a queer novel. While ...
• Reimagining the New Woman: Tanika Gupta’s adaptation of A Doll’s House (2019) on the London stage 

  Buonanno, Giovanna (Roma : Carocci, 2022)

  The reception of Ibsen’s plays in England has been amply documented by scholars who have focused especially on how his work resonated with feminist writers and intellectuals championing the New Woman in late Victorian ...
• From innocence to experience. The seduction of knowledge in Melmoth the Wanderer 

  Pepe, Paolo (Roma : Carocci, 2022)

  This essay discusses one of the masterpieces of English Gothic literature: Melmoth the Wanderer (1820) by Charles Robert Maturin. The analysis focuses on the complex relationship established by the eponymous protagonist, ...
• “An Art of Individuals”: Dora Marsden’s literary anarchism and Pound’s aesthetic reflection in The New Freewoman 

  Lops, Marina (Roma : Carocci, 2022)

  The founder and editor of “Freewoman”/“The New Freewoman”/“The Egoist”, Dora Marsden was one of the leading figures on the London cultural scene in the years before ww1. Mirroring the evolution of her thought, the shift ...
• “An iris by any other name would smell as sweet”: adapting Shakespeare in Romeo x Juliet 

  Rossi, Valentina (Roma : Carocci, 2022)

  This paper aims to explore what emerges from the collation of the Shakespearean play, Romeo and Juliet, and the episodes of Romeo x Juliet (2007), the Japanese anime inspired by the tragedy of the “star-crossed lovers”; ...
• El enfoque metaoperacional y los fenómenos informativos 

  Giordano, Roberta (Roma : Carocci, 2022)

  This study builds upon meta-operational grammar, firstly postulated by Adamczewski (1983) and later developed and applied to the Spanish language analysis by Matte Bon above all. This research has the objective of ...
• Recensioni e letture 

  Manzolillo, Monica; Pallante, Sara; Riccioni, Angelo; Russo, Antonella; Nienhaus, Stefan; De Rosa, Maria Pina; Nodari, Rosalba (Roma : Carocci, 2022)
• Introduzione 

  Sica, Giorgio (Roma : Carocci, 2021)
• Con il verso a fronte. Poeti-traduttori della letteratura italiana contemporanea Mariano Bàino, Franco Buffoni, Roberto Deidier, Roberto Piumini, Eduardo Zuccato 

  Salerno, Vincenzo (Roma: Carocci, 2021)

  According to Friedmar Apel «[...] Literary translation is a “form” that understands and gives substance to the experience of the original in another language». Of this “dialectical uniqueness”, in its form and content, ...
• Traducteurs de la Renaissance: Jean Martin, l’inconnu 

  Pellegrino, Rosario (Roma: Carocci, 2021)

  Renaissance in France is one of the most important ages for the history of translation. Whereas some of the European languages are considered like noble national languages, translation practice changes deeply. In fact, ...
• Villa Amalia de Pascal Quignard. Lexiculture et paramètre pro-drop en traduction 

  Gurrieri, Antonio (Roma : Carocci, 2021)

  The publication of Villa Amalia marks in 2006 the returns to novel for Pascal Quignard. This is after six years of silence. The Italian translation of the novel is published in 2018 by Valentina Valente who is also a ...

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